His research is defined by the ongoing analysis of the mood that marks our daily lives, which he manifests through original still-lives and poetic reveries. He renews language by reprogramming sculpture. In fact, he revisits the shapes of his distinctive zigzag marks and rewrites the statuary through the plasticity of the modelled, using precious materials (specifically marble) and technological ones (neon, urethane rubber, epoxy resins), often combining them.